Survival: I liked Cameron's comments on liberating criticism--the kind that causes us to rethink our work and identify new directions--vs. damaging criticism, which "contains no saving kernel of truth yet has a certain damning plausibility." Any artist who has shared her work has experienced both kinds. My hope is two-fold: that I will be able to differentiate between the two when they come my way and that when I offer criticism myself it will be of the liberating sort.
The Ivory Power: "Creativity cannot be comfortable quantified in intellectual terms." Perhaps part of the reason I didn't connect with a lot of the material in this chapter is that Cameron seems to do what she tells us NOT to do--intellectualize creativity!
Gain Disguised as Loss: I do like what Cameron says about framing our creative losses as potential gain. Every end is indeed a beginning if we ask ourselves, "How can this loss serve me? Where does it point my work?" The key, she says, is "to act as if a silver lining exists" in every creative loss. I liked her personal story of taking her destiny into her own hands by becoming an independent filmmaker after one too many times having a studio buy a script and then do nothing with it. I liken it to my experiments in self-publishing in light of the current lack of a market for picture books. (I've published two of my romance novellas as ebooks and am working with two illustrators to bring two different picture ebook projects to market.) Like Cameron, I've been asking "How?" instead of "Why me?!" I also liked the stories of a lack of success in one creative area pushing people into expressing their creativity in another form. My brother just installed a brand new work table for me and I'm wondering if it might not be time to get a visual art project going again...
Age and Time: Okay, a little soul-baring here... "I'm too old" and "I'm too young" are both, paradoxically, things my Censor has been telling me this week about my decision to quit the job with the steady paycheck to pursue writing and teaching as a freelancer. Now that I'm nearing retirement age, my Censor says, I'm too old for that--I've GOT to think about where my retirement is going to come from. I'm also too young, he says (yes, my Censor is definitely male) because I'm NOT retired yet--I'm not old and crazy enough (and financially secure enough) to let go of the paycheck in these last years I need to boost my Social Security potential (assuming Social Security even exists in another few years). So the decision that I thought was made seems to be unraveling. Yes, sometimes the job feels unbearably soul-sucking. But is it really that bad? Can I make it work a few more years and still pursue my creative interests, still have a five-year plan that will move me toward my creative goals? I see that I still have some work to do here...
Product and Process: I like the distinction Cameron makes between these two--they are not the same, and as artists we MUST be always in process or we're not growing in our craft. But I do think product is important, too. Yes, we must practice our art for the joy the process brings us, but the product is what communicates our vision and our passion to the world. Without a finished product--or a product as finished as possible--we are only talking to ourselves. That's okay sometimes, but in my opinion it's not enough. Art is meant to be shared.
Filling the Form: Another way to say "small steps." Something I need to remind myself when I feel overwhelmed. (Just realized that's been part of my problem this week--feeling overwhelmed. My "active addiction to anxiety"?) Me to my artist, right now at this moment: "You are doing enough. You are writing your morning pages. You are continuing to clarify your vision. You are making contacts. You are doing research. You are moving forward, even if sometimes only at a crawl. You are a work in progress. You are okay!"
EXERCISES, MORNING PAGES, TASKS
I found through the "Early Patterning" exercise that what I lacked in my early life was a sense of the possible. I did not know people who had made a successful life pursuing their muse. I had wonderful parents and educators who told me I could do anything, but I lacked a mentor to show me how. I think that still gets in my way...
I missed one day of morning pages--the first time since starting TAW in January! I did very few of the tasks this week, and spent less time on the one I did, "The Steps," than I needed to in order to get the information I needed. Perhaps that affected my experience of this week's work, too...
But enough about me--far too much, in fact! What about you? Did you have a more satisfying week than I did?
Next Week: Recovering a Sense of Compassion
